rosemarie johnen: offenes atelier / a painter's open house

"natürlicher einklang" (natural harmony)

hier einige impressionen von rosemarie johnens "offenem atelier" letzte woche. rosi ist malerin und experimentiert mit verschiedenen techniken und materialien. zur zeit interessiert sie sich für in holzplatten verborgene bilder und figuren, die sie mit farbe und stift herauslockt.

zum genaueren hinsehen einfach auf die bilder klicken für eine größere version.

some impressions from rosemarie johnen's open house last week. rosi paints and enjoys experimenting with different techniques and materials. at the moment, she is particularly interested in images that hide in the texture of pieces processed wood. these, she teases out of the material with the help of paint and pen.

want to take a closer look? click on the picture for a larger version.

"lebensraum" (habitat)

das schöne an solch einem offenen atelier ist, daß man - wenn man glück hat - einen weiteren überblick über die arbeit bekommt. rosi zeigte sowohl ältere als auch neue arbeiten, vom aquarell über acryl bis zur zeichnung. selbst unfertige arbeiten waren zu sehen. diese hier hat es mir besonders angetan:

the nice thing about an artist's open house is that, if you're lucky, you get a broader view of the artist's work. rosi shared older as well as new works, from watercolours (her first paintings) and acrylic paint to drawings. even unfinished projects were on display, in the workshop. this one is a particular favorite of mine:

noch in arbeit, ohne titel
(unfinished, untitled)

ein weiteres lieblingsbild muss dieses hier sein - "mohn-tage", ein großformatiges gemälde mit echten riesenmohnblättern (siehe zb rechte obere ecke):

another favorite has to be this one - poppy days - a large painting with real poppy petals (see top right corner for example):

"mohn-tage" (poppy days)

pablo picassos motto, nicht zu suchen sondern zu finden hat sich die malerin zu herzen genommen. alles in allem war ich von der bandbreite der verschiedenen techniken überrascht (im positiven sinne!)

in her work, rosi took pablo picasso's suggestion to find, not search, to heart. overall, i was surprised and impressed by the variety of styles in this exhibit. 

"Verbundenheit" (connectedness)

"grenz-nah 2" (near the borders/limits)

D.O.O.M and dragonslayers!

i'm doing something different today - meet some of my friends!

the mollies - a fun, talented bunch from salt lake - recently released their new album, dragonslayer. fourteen tracks of vocal harmony, cello, violin, and a plethora of other devices, combined with the lyrical whimsy of becky jean's songwriting - it's well worth checking out. it's a bit calmer than the first album, yours around the rosies, but lovely, - the dreamy "don't kiss me" and the clever "one to ten" and "fancies are fiends" - the mollies are as charming as ever. 

what i like about the mollies is that they have fun with their music. you can hear it, and, if you catch them live, you can see it too (re: video, i rest my case).

what i also really really like is their lyrics. some lines, some turns of phrase, and the stories the songs tell - i like music, but i don't like brainless music. well, now and then a bit of brainless music is nice, but i do like to listen to stuff that tickles my braincells. that creates interesting pictures in my head. that uses interesting words in interesting orders. the mollies songs do that. :)

here's an example from: i'm sorry but this is a love song (also on the new album)

Toasted muse, I’m happy without you.
He’s packing up all my crazy.
He licks a stamp, sticks it on my face;
and I’ve a glad taste in my mouth for days.

you can listen to more of their songs on their myspace page and, if you like what you hear, buy their music via cdbaby (cd or mp3) or iTunes (mp3). they also recorded a very fun music video for "float my boat" (from yours around the rosies):

now, if you're still not curious about them, then i can't help it. :)

my first contact with w. forsythe

image found here:
http://www.modephonie.de/?p=530

thanks to my dear friend h i had my first contact with w. forsythe's choreographic work this evening. now, i will be perfectly honest and say that ballet is not something i usually enjoy - classical ballet that is. but this... was different. 

a bunch of us went to the opernhaus dortmund to see a public rehearsal for “Körper.Tanzen.Formen” which - when it is performed "for real" as of march 26th - consists of three parts, one choreographed by g. balanchine, b. millepied, and w. forsythe, respectively, in that order. in the rehearsal - at least in the public part of it - the dancers performed sequences from the first and third parts.

the first was nice - i guess the fact that all dancers were in their own clothes, not in full costume, so all looked different and, well, fairly natural and normal, really helped me enjoy this part. there were also some moves that were so expressive they just made me chuckle. lots of exaggerated femininity and several instances of exaggerated masculinity in the moves. still, it was fairly close to what first comes to my mind when i hear the world "ballet" - a certain degree of artificiality, lots of tippy-toes, and this seemingly effortless lightness. 

the other part, forsythe's choreography that is, or at least the part of it we got to see, was utterly different. the title of the piece is "the second detail." the music was interesting and intense, the movements fluid yet exact, and the part i liked best was the female lead dancer in that sequence. powerful, yet undeniably womanly. her movements showed untamed energy, something organic, natural, something innately strong. she wasn't wearing tights so you could actually see those muscles in her legs working, a perfectly tuned machinery of sinews and fibers and bones. but none of this made her appear masculine.

i thoroughly enjoyed the lack of hyper-feminine gestures and positions in this part of the performance. woman's body does not have to be all fair and fluttery and melty and bendy in a male dancer's arms. she doesn't have to tip-toe and twirl like a pink lollipop in a tutu. 

anyway. i had a great time. and i made first contact with something new to me. how much better could you spend the day? 

btw i should have big news soon, as the responses to my ph.d. applications are coming in now. watch this space. :) if you like. feel free to watch other spaces if you prefer. i'm just saying. :D

elimae link & candy from strangers

just to let you know, the february / 15th anniversary issue of elimae is now online, and it contains two of my fragment poems: http://elimae.com/2011/02/Five.html (taken from my forthcoming five parts of love chapbook)

not much other news - still waiting to hear from the schools i applied to, so keep those fingers crossed!

i am currently reading anne carson's if not, winter (again!) and lee ann roripaugh's beyond heart mountain. the other night when i came home i found two poetry books and some chocolate in my mail box, with no note or name to them - die schönsten gedichte von heinrich heine and liebesgedichte von frauen, so i guess i know what i'll be reading next. :D

i did figure out who the gifts were from, eventually. i wonder, however, which is worse: taking candy from strangers, or taking poetry from strangers? in any case, they were not from a stranger.

2011 - duracell tomcat passes on

felix the cat

1993 - 2011

2011 - going well so far!

so i heard from dancing girl press this morning. they want to publish "the five parts of love: confabulating sappho"! this will be my first chapbook, so i am extra-excited about it. this should be available as of march 2012. of course i will keep you posted on that. :-)

at the end of it all...

... there is a catalogue. check out my post (over at the bookshelf-blog) about the ruhr-atoll catalogue that just came out, marking the very end of the whole project.

http://thepoetryshelf.blogspot.com/2010/12/das-ruhr-atoll-exhibition-catalogue.html

since i am still working on applications, there are no other news, so have a lovely christmas season, and i will try to post more reading reviews (on the bookshelf, again) before the year is out.